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NUENDO 6 WITH ACTIVATION KEY
one feature which isn’t exclusive to the nuendo 6, but which is a particularly welcome addition is the ability to copy the adr markers, or indeed the entire take, directly to a midi track. you can then edit the markers by changing the notes, velocity, or other parameters, and then re-record the take using any midi instrument that suits you.
the other key new addition in nuendo 6 is that, if you’re working in lu mode, you can now quickly access the short and long term spectral views by clicking the button in the top left of the wave meters. these appear at the top of the wave meters, and show the short- and long-term spectral density values along with the waveform (slightly offset to the right of the source waveform). by default, the short-term view only shows the spectrum from 100hz to 5000hz, but this can be customised by clicking and dragging the slider at the bottom right of the window to increase or decrease the frequency range to your heart’s content.
finally, unlike mixconsole, nuendo 6 supports quick effects in the erase window, which can be accessed via a dedicated button. this lets you use the erase function in the erase window, without having to open up the edit window. unfortunately, there’s no way to control the erase settings from within the erase window, which is a real oversight. however, the erase settings can be customised using the erase.. button in the erase window, and custom erase settings can be saved and recalled using the options menu on the erase button.
of course, all of these features are only available in the paid version of nuendo. if you’re just buying the apps as a package, you’re probably more interested in the free upgrades, which are similar in scope to what steinberg have released for cubase 7 (more on this later).
the other main selling point of nuendo 6 is the new channel strip, which you can see in the above picture. it’s a really nice-looking 16-trackstrip, which is very user-friendly, and seems to be well-suited to the workflow of many of the users that nuendo is designed for. and with steinberg’s new “lightning” plug-in, steinberg can finally make a little use of steinberg’s own advantages, such as those of steinberg’s hardware midi interfaces. essentially, the lightning plug-in allows you to chain external plug-ins to the nuendo channel strip. not only that, the lightning plug-in can also be used to assign existing plug-ins to channels, making it easy to add lots of effects to your tracks. it’s a really cool feature, although it’s a shame that it doesn’t support as many plug-ins as steinberg’s own workflow plug-ins.
however, there’s also a problem with this – there is only one user interface setting for the entire program, and it’s not as clear as it might be. this is because there is a single set of colour settings for all states (i.e. whatever you have your project window in) and any presets, and they are saved when you log out of cubase. so if you have a project window with a blue background, your installer will remember that colour, and so will your project, even if you change the interface settings. if you log out and then log back in, you will have the same colour. if you log out and then load the same project, it will come up with the same colour. it’s simple, but only on the surface, and it’s important to get right.
again, steinberg have improved their own ease of use, with a few changes that should be of interest to anyone using mixconsole. the new smart pan/zoom features are a welcome addition, allowing you to automatically zoom in on the region of the signal you’re processing while using the mixer. in the case of a channel strip, this means a dedicated mixer channel, while for a bus or a bus strip in the master panel, it means the entire track.
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