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Geri Allen’s Eyes In The Back Of Your Head (1997): A Jazz Masterpiece in FLAC Quality

If you are a fan of jazz music, you probably know the name Geri Allen. She was one of the most innovative and influential pianists and composers of her generation, who collaborated with legends like Ornette Coleman, Ron Carter, and Wallace Roney. In 1997, she released one of her best albums, Eyes In The Back Of Your Head, which showcases her versatility, creativity, and originality.

In this article, we will explore the album in detail, and explain why you should listen to it in FLAC format, which preserves the high-fidelity sound quality of the original recording. We will also provide you with a link to download the album in FLAC format, so you can enjoy it in its full glory.

What is Eyes In The Back Of Your Head?

Eyes In The Back Of Your Head is the 13th studio album by Geri Allen, released in 1997 by Blue Note Records. It features 10 tracks, composed by Allen or co-written with Coleman or Roney. The album is a fusion of jazz styles, ranging from bebop to free jazz to funk to classical. It showcases Allen’s virtuosity on the piano and synthesizer, as well as her ability to create complex and captivating melodies and harmonies.

The album also features some stellar guest musicians, such as Ornette Coleman on alto saxophone, Wallace Roney on trumpet, and Cyro Baptista on percussion. Coleman appears on two tracks, Vertical Flowing and The Eyes Have It, which are based on his harmolodic concept of music. Roney plays on six tracks, adding his lyrical and expressive trumpet sound to Allen’s compositions. Baptista adds some rhythmic spice and color to four tracks, using various instruments such as shakers, bells, and drums.

Why should you listen to it in FLAC format?

FLAC stands for Free Lossless Audio Codec, which is a type of audio file that compresses the original sound data without losing any quality. This means that FLAC files sound exactly the same as the original CD or vinyl recording, unlike MP3 or AAC files, which reduce the quality by discarding some data.

Listening to Eyes In The Back Of Your Head in FLAC format will allow you to appreciate the nuances and details of Allen’s music, such as the subtle changes in dynamics, tone, and timbre. You will also hear the clarity and richness of the instruments, especially the piano and saxophone, which have a wide range of frequencies and overtones. You will also notice the spatial separation and balance of the soundstage, which creates a realistic and immersive listening experience.

How can you download it in FLAC format?

If you want to download Eyes In The Back Of Your Head in FLAC format, you can do so from Discogs.com , which is a website that sells music in various formats from different sellers. You can find the album by searching for its title or catalog number (Blue Note 7243 8 38297 2 9). You can then choose a seller that offers the album in FLAC format, and pay for it using PayPal or credit card. You will then receive a link to download the album in FLAC format.

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What are the highlights of the album?

Eyes In The Back Of Your Head is a diverse and dynamic album that offers something for every jazz lover. Here are some of the highlights of the album:

• Mother Wit: The opening track is a solo piano piece that showcases Allen’s rhythmic and harmonic inventiveness. She plays with a percussive touch and a playful attitude, creating a catchy and groovy tune that sets the tone for the album.
• Vertical Flowing: One of the two tracks that feature Ornette Coleman, this is a free jazz exploration that challenges and stimulates the listener. Allen and Coleman exchange melodic and harmonic ideas, creating a dialogue that is both spontaneous and coherent. The track also features some of Allen’s synthesizer work, adding some electronic textures to the acoustic sound.
• Dark Eyes: A duet with Wallace Roney, this is a haunting and lyrical ballad that showcases their chemistry and intimacy. Allen plays with a delicate touch and a rich tone, while Roney adds some muted trumpet lines that complement and contrast her piano. The track also features some subtle percussion by Cyro Baptista, adding some depth and atmosphere to the mood.
• Little Waltz: A tribute to bassist Ron Carter, who composed this tune, this is a solo piano piece that demonstrates Allen’s classical influences and technique. She plays with a graceful and elegant style, creating a beautiful and melodic waltz that flows smoothly and effortlessly.
• In The Back Of Your Head: The title track is another duet with Roney, this time a more upbeat and funky tune that showcases their groove and energy. Allen plays with a crisp and clear sound, while Roney adds some bright and expressive trumpet lines. The track also features some synthesizer effects by Allen, adding some spice and fun to the mix.

What are the reviews and awards of the album?

Eyes In The Back Of Your Head received critical acclaim from jazz critics and fans alike, who praised Allen’s creativity, originality, and versatility. The album was also nominated for a Grammy Award for Best Jazz Instrumental Performance, Individual or Group, in 1998, but lost to Michael Brecker’s Tales from the Hudson.

Here are some of the reviews of the album:

“Allen’s music is always challenging and rewarding, and this album is no exception. She displays a remarkable range of styles and emotions, from the playful and funky to the introspective and lyrical. Her collaborations with Coleman and Roney are especially impressive, as they create a musical dialogue that is both spontaneous and coherent. Eyes In The Back Of Your Head is a testament to Allen’s genius and vision as a pianist and composer.” – JazzTimes

“This is one of the most adventurous and satisfying albums of Allen’s career. She explores various musical territories with confidence and skill, creating a unique and personal sound that defies categorization. She also demonstrates her ability to interact with some of the most influential musicians of her generation, such as Coleman and Roney, who add their distinctive voices to her compositions. Eyes In The Back Of Your Head is a masterpiece of jazz fusion that deserves a wide audience.” – AllMusic

“Allen is one of the most original and innovative pianists in jazz today. She combines a deep knowledge of jazz history with a fearless approach to experimentation and improvisation. On this album, she showcases her diverse talents and influences, from bebop to free jazz to funk to classical. She also collaborates with some of the finest musicians in jazz, such as Coleman and Roney, who share her vision and spirit. Eyes In The Back Of Your Head is a brilliant and inspiring album that confirms Allen’s status as a jazz master.” – DownBeat

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